PRESS
Oikos dazzled the people of Santa Cruz with its message on sustainability and climate change.
The exhibition by Chilean artist Simón Villalobos impressed more than one in the city
August 22, 2023, 10:42 PM
Between August 16 and 18 in Santa Cruz de la Sierra, the Oikos Exhibition, by the Chilean artist Simón Villalobos, took place at the Altillo Beni museum. The works made an impression on more than one who witnessed this activity. The opening of the exhibition was led by María Sarah Mansilla, Municipal Secretary of Culture and Tourism, and architect Ruvi Suarez, director of the Faculty of Architecture, Design and Urban Planning of Univalle.
The exhibition was sponsored by Kiosko Galería and sponsored by the Hellenic Collective of Santiago.
Oikos, from the Greek house or home, came to value the Hellenic worldview regarding the challenges of sustainability and climate change. Consisting of 5 works titled: “Voices of Athens”, “Aeolus”, “Trireme of Kairós”, “Poseidon in Thirasia” and “Akrotiri”, the exhibition sought to transmit a message that calls for awareness regarding the protection of natural resources such as water and air, not always valued, but key to life on earth.
Given the artist's dual training, elements related to the care of our immediate environment and collective habitat were also raised in cultural mediation; offering an expanded reinterpretation of our planet as a common home.
The exhibition was part of the programming of the “International Cooperation Meeting: Creative Cities”, organized by Corporación Visión de Ciudad - Chile, the Society of Metropolitan Studies of Santa Cruz and the Universidad del Valle de Santa Cruz.
In this context, the opening of the exhibition gave way to the panel “Creative Economy and internationalization of Cultures” with the participation of Olimpia Peñaloza, researcher and expert on the subject; Raquel Schwartz, director of Kiosko Galería and Paula Saldaña executive director of CIDAC and Museo Artecampo.
In gratitude for the Santa Cruz hospitality and as a symbolic act of fraternity, the artist Simón Villalobos donated to the city a replica of the work “Trireme de Kairós”, which was received by Mansilla, on behalf of the Municipal Secretariat of Culture and Tourism.
future the work will be displayed in the Museum of Contemporary Art for the enjoyment of the citizens of Santa Cruz de Sierra.
Oikos dazzled the people of Santa Cruz with its message on sustainability and climate change.
The exhibition by Chilean artist Simón Villalobos impressed more than one in the city
August 22, 2023, 10:42 PM
Between August 16 and 18 in Santa Cruz de la Sierra, the Oikos Exhibition, by the Chilean artist Simón Villalobos, took place at the Altillo Beni museum. The works made an impression on more than one who witnessed this activity. The opening of the exhibition was led by María Sarah Mansilla, Municipal Secretary of Culture and Tourism, and architect Ruvi Suarez, director of the Faculty of Architecture, Design and Urban Planning of Univalle.
The exhibition was sponsored by Kiosko Galería and sponsored by the Hellenic Collective of Santiago.
Oikos, from the Greek house or home, came to value the Hellenic worldview regarding the challenges of sustainability and climate change. Consisting of 5 works titled: “Voices of Athens”, “Aeolus”, “Trireme of Kairós”, “Poseidon in Thirasia” and “Akrotiri”, the exhibition sought to transmit a message that calls for awareness regarding the protection of natural resources such as water and air, not always valued, but key to life on earth.
Given the artist's dual training, elements related to the care of our immediate environment and collective habitat were also raised in cultural mediation; offering an expanded reinterpretation of our planet as a common home.
The exhibition was part of the programming of the “International Cooperation Meeting: Creative Cities”, organized by Corporación Visión de Ciudad - Chile, the Society of Metropolitan Studies of Santa Cruz and the Universidad del Valle de Santa Cruz.
In this context, the opening of the exhibition gave way to the panel “Creative Economy and internationalization of Cultures” with the participation of Olimpia Peñaloza, researcher and expert on the subject; Raquel Schwartz, director of Kiosko Galería and Paula Saldaña executive director of CIDAC and Museo Artecampo.
In gratitude for the Santa Cruz hospitality and as a symbolic act of fraternity, the artist Simón Villalobos donated to the city a replica of the work “Trireme de Kairós”, which was received by Mansilla, on behalf of the Municipal Secretariat of Culture and Tourism.
future the work will be displayed in the Museum of Contemporary Art for the enjoyment of the citizens of Santa Cruz de Sierra.
Exhibition "Helenos Todos": An opportunity to reflect on personal growth and social innovation.
Social development, sense of community, and environmental sustainability are some of the central themes promoted in the exhibition. The display carries an educational and awareness-raising undertone, applicable across all generations.
Friday, December 30, 2022, 3:16 PM
Helenos Todos" is the invitation extended by artist Simón Villalobos Castañeda in the exhibition on Greek culture and Hellenic worldview, organized by the Grand Lodge of Chile through the Masonic Library Archive and Museum. The exhibition is part of the celebration of the 50th anniversary of Lodge Helade No. 134.
The exhibition, to be held at the Masonic Museum from January 9th to February 3rd, is sponsored by the Hellenic Community of Santiago and the Metropolitan Academy of Art, institutions that will be present at the opening ceremony.
Simón Villalobos Castañeda holds a Bachelor's degree in Arts and Humanities and Urban Planning from the Pontifical Catholic University of Chile, as well as a Master's degree in Public Policy from the University of Barcelona. After living for two years in Spain, the United Kingdom, and Turkey, the artist, upon his return to Chile, has developed throughout 2022 a collection of works that seek to recover and revive societal virtues from Ancient Greece; addressing contemporary issues such as social development, democracy, sustainability, and climate change.
The socio-cultural aspects that inspired the 13 works composing the collection allow for a deeper understanding in an educational, formative, and awareness-raising dimension regarding the complexities of the Hellenic legacy. Specifically, they delve into the development of settlements, social order, gods, mythology, and above all, philosophical perspectives that directly nourish the inner essence of human beings.
The artist invites us to meet and discover that each of us possesses Hellenic potential, which we can employ through attitudes and actions in service of the common good.
Access to the exhibition is free of charge from Monday to Friday, from 10:00 am to 6:00 pm at the Masonic Museum located in the building of the Grand Lodge of Chile at 659 Marcoleta Street.
Exhibition «Helenos Todos» at the Grand Lodge of Chile
Exhibition "Helenos Todos" at the Grand Lodge of Chile
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Marco Bontá Hall, Masonic Museum, Marcoleta 659.
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Until January 30th.
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Monday to Friday - from 10:00 am to 4:00 pm.
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Free admission.
January 23, 2023
"Helenos Todos" is the invitation extended by artist Simón Villalobos Castañeda in the exhibition on Greek culture and Hellenic worldview, organized by the Grand Lodge of Chile through the Masonic Library Archive and Museum.
The exhibition was inaugurated in the context of the celebration of the 50th anniversary of Lodge Helade No. 134. The display is sponsored by the Hellenic Community of Santiago and the Metropolitan Academy of Art, institutions that were present at the opening ceremony.
Simón Villalobos Castañeda holds a Bachelor's degree in Arts and Humanities and Urban Planning from the Pontifical Catholic University of Chile, as well as a Master's degree in Public Policy from the University of Barcelona. After living for 2 years in Spain, the United Kingdom, and Turkey, the artist, upon his return to Chile, has developed throughout 2022 a collection of works that allude to the recovery and revival of society through the virtues of Ancient Greece; addressing contemporary issues such as social development, democracy, sustainability, and climate change.
The socio-cultural aspects that inspired the 13 works composing the collection allow for a deeper understanding of both an educational and awareness-raising dimension regarding the complexities of human behavior and the Hellenic legacy. Specifically, they delve into the development of settlements, social order, gods, mythology, and, above all, perspectives that nourish the inner fabric of our humanity.
The artist invites us to meet and discover that each of us harbors a Hellenic essence within, with which we can connect through attitudes and actions in service of the common good.
Hiring immigrants
OPINION
26 MAR 2018 09:29 AM
DEAR DIRECTOR,
The discussion about increasing the quota for hiring migrants from the current 15% (current legal maximum) or even eliminating it altogether might initially seem reasonable to reduce informal employment, as employers and private guilds have pointed out. However, it is important to reflect that the decision to eliminate the hiring quota, meaning that 100% of the workers in a company or workplace are migrants, may not be taking into account other aspects.
Considering that the majority of the Chilean workforce dedicates practically a third of the day (or even more) to work, it is likely that our jobs are one of the few instances where we can better connect with the migrant population. This represents a huge opportunity, not only to improve coexistence and tolerance with foreign workers arriving in the country but also to generate labor and human synergies that perhaps as a society we have not had the chance to experience.
Hopefully, the quota in question is increased rather than eliminated, as a more or less balanced proportion of migrants (at least 50% to 70%) in the workforce could be key to achieving real social integration. This is even more relevant in large cities, as they act as the main networks and hubs of work. A harmonious hiring quota could generate better socio-urban development, as our public policies aspire in matters of urban-territorial planning and sustainable development.
Simon Villalobos Castañeda
Master in Urban Development and former president of the Urban Planning Student Center at UC
Transforming bus stops into gathering spaces.
Eight thousand 800 Transantiago bus stops are spread throughout the city. Shelters that are a passageway for the millions of Santiago residents who move from one place to another.
There is the wait, the crowding, and at peak hours, the race to board a bus. However, for a group of capital residents these spaces are an opportunity to meet and stay, a possibility of interaction that goes beyond just waiting for the bus.
The stops become the artistic expression of an organized community. Paintings, collages, permanent murals. Or even a temporary plaza, a green area that lasts at least a day.
Nov 20, 2014
Martín Covarrubias is the creator of Ideas en tu paradero (Ideas at Your Bus Stop), a project that began in 2010 in collaboration with Transantiago. Six years earlier, he had already made interventions on the street, with mosaic works on Avenida Santa María near TVN and at the exit of the Universidad Católica metro station. "While studying architecture, I was involved in an accident that left my arm immobilized for a while, and doing something on the street was my reaction," says Covarrubias, now a publicist leading the social innovation office Ciudad Color. Later, he was invited by the Quiero mi Barrio program of the Ministry of Housing and Urbanism to lead an intervention in La Granja, where he personally experienced the possibilities of co-creation with the community. He then approached Transantiago to propose a concrete action in response to the continuous destruction of bus stops.
In 2011, Ministry of Transport figures indicated that over 90% of these spaces had some degree of damage due to "vandalism": graffiti, pasting of posters, theft of seats and trash bins, and even destruction of roofs. Covarrubias comments, "The bus stops lasted barely two days after repairs, so we thought of another way to address the situation." The first step was a pilot project, the starting point for the project that has already intervened in 39 bus stops in Peñalolén, La Florida, Huechuraba, Santiago, Puente Alto, Lo Barnechea, La Reina, Maipú, and La Pintana. Currently, work is underway on another three, which will be completed by the end of this month in the Pedro Aguirre Cerda commune.
The modus operandi is entirely participatory with the community living around the bus stops. The technique and design are chosen with those who volunteer, they are trained in workshops, and then the ideas are implemented. Covarrubias is pleased to see the activation of neighbors, empowered with their territory. This "manifests local identity" because, according to him, the paintings and mosaics evoke symbols related to what matters to the inhabitants. Like one that paid tribute to the cartoonist Themo Lobos and his comic strip Mampato in San Miguel or the one that painted the classic drinking fountains in El Bosque.
This same vision of the possibilities of shelters is shared by Ecoo Paradero, a group of three university students united by their interest in urban space.
Simón Villalobos, a fourth-year Urban Planning student, along with Roque Saenz, a graduate in Agronomy, and Ermes Uribe, an Industrial Engineering graduate, participated in the "Modela tu idea" program at the UC School of Social Innovation. "The basic idea was to include green areas at the bus stops and make it participatory, hence the name with the repeated letter O, which alludes to cooperation," explains Villalobos.
Their first experience was to change the appearance of the bus stop in front of the Catholic University campus in San Joaquín, where they installed grass on the roof and hung a swing and a hammock, provoking reactions from passersby. There was also a water dispenser and a violin to attract attention.
Next, they participated in one of the 100 urban interventions of the 100 in 1 day Santiago carnival, with an action at the bus stop at the entrance of the GAM. On Sunday, October 26, they turned this stop into a picnic area, complete with dream catchers and plants, as well as a mural for writing reflections on transportation and the city. Villalobos emphasized satisfaction, saying, "The bus stop turned into a real plaza, demonstrating that ordinary people can take over public space, in this case, urban infrastructure."
The experience, which they also took to Valparaíso, seeks to expand to other communes and establish itself temporarily for several days, for example, being a daily labor mural of data, much closer to pedestrians than a large advertising sign.
Ideas en tu paradero and Ecoo Paradero: lasting or temporary initiatives, but above all, they connect us.